There are details
on the building you would not believe, says Producer Jeff Duhé,
I like the raccoon and crawfish carved into a tiny square on the 22nd
floor. Now, how was anyone supposed to see that?
But thats part of
the wonder, that artists who decorated a building more akin to sculpture than
office tower included such tiny details. Each relief, each icon, had a meaning.
What the 1932 meaning is, though, takes some explaining.
Once you know the language
of the symbols these Depression-era artists used, Louisianas Capitol reveals
a grand intent. It celebrates hard work and spiritual values. In this program
we literally read the writing on the walls.
Completed in 1932 at a
cost of five million dollars, the state capitol was a dream come true for then-U.S.
Senator Huey Long. The most colorful political figure of the 1930s, Long ran
Louisiana as a notorious populist and rivaled the power and popularity of President
Franklin Roosevelt.
Yet we see, in This
Old State House, some pieces being returned and how restorers are reclaiming
the original intent of the design one room at a time.
In this latest documentary
LPBs cultural reporter Jeff Duhé, creator of the networks
popular Lost Louisiana series, serves as tour guide to the smallest details
of rich marble and Beaux Arts designs. Many think the Louisiana capitol is Art
Deco but the highly embellished walls and outside friezes celebrate the public
building with images honoring the common dreams of the people who built it.
It might not dig up Huey Longs infamous deduct box but in LPBs
documentary, This Old State House, viewers across the state see treasures
just as valuableand just as hidden.
So Duhé talks with art historians, architects, veteran capitol personalities
and restorers to decipher the hieroglyphs inside and out.
Renovations begun last year will cost more than the capitol did to build. Cracks
in the front steps, water damage and decades of neglect are detailed in the
program. Speaker of the House Hunt Downer complains that the original furniture,
hand made to match the interior details and colors, is long gone.
Putting all the pieces together was a passion for the artists who worked
here, some of the best in the world. We honor them in this program when we expose
their often forgotten marks left all over this monument to the common man,
Duhe says.