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Despite all of the writing
that Chopin did for her stories, she still kept a rather detailed diary.
One of the entries went like this:
I have finished a story
of 48-hundred words and called it "Lilacs". I cannot recall what suggested
it. If the story had been written after my visit of last Sunday to the
convent, I would not have to seek the impulse far. Those nuns seem to
retain or gain a certain beauty with their advancing years which we women
in the world are strangers to. The unchanging form of their garments through
years and years seems to impart a distinct character to their bodily movements.
Liza's face held a peculiar fascination for me as I sat looking into it
enframed in its white rushing.
It is more than twenty
years since I last saw her; but in less than 20 minutes those 20 years
had vanished and she was the Liza of our school days, the same narrow,
happy gray eyes with their swollen upper lids; the same delicious upward
curves to the corners of her pretty mouth. No little vexatious wrinkles
anywhere. Only a few good strong lines giving a touch of character that
the younger Liza lacked perhaps.
The conditions under which
these women live are such as keep them young and fresh in heart and in
visage. One day…usually one hey-day of youth they kneel before the alter
of a god whom they have learned to worship, and they give themselves wholly---body
and spirit into his keeping. They have only to remain faithful through
the years, these modern psyches, to the lover who lavishes all his precious
gifts upon them in the darkness---the most precious of which is perpetual
youth. I wonder what Liz thought as she looked into my face. I knew she
was remembering my pink cheeks of more than 20 years ago and my brown
hair and innocent young face. I do not know whether she could see that
I had loved---lovers who were not divine---and hated and suffered and
been glad.
She could see, no doubt
the stamp which a thousand things had left upon my face, but she could
not read it. She, with her lover in the dark. He had not anointed her
eyes for perfect vision. She does not need it---in the dark.
When we came away, my friend
who had gone with me said: "would you not give anything to have her vocation
and happy life!" There were long beaten paths spreading before us: the
grass grew along its edges and the branches of trees in their thick rich,
May garb hung over the path like an arbor, making a long vista that ended
in a green blur.
An old man---a plain old
man leaning on a cane was walking down the path holding a small child
by the hand and a little dog trotting beside them, "I would rather be
the dog" I answered her.
As time passed, Chopin suffered
many low points over her writing.
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